Crow Boy (Taro Yashima)

 

An oldie, but a good book! My students were a little taken back by the illustrations. They thought they were weird....but we ended up having a good discussion about the style and why the illustrator chose to illustrate it the way they did. 

Goodreads says:

"A shy mountain boy in Japan leaves his home at dawn and returns at sunset to go to the village school. Pictures and text of moving and harmonious simplicity". - Saturday Review.

Hotel On the Corner of Bitter and Sweet (Jamie Ford)

 

Although I felt like this book certainly wasn't a great work of literature, I really loved the story. I'm shocked at the things we have done in our past to people because of racism. People in Japanese internment camps were amazingly generous with their response to these camps during World War II. 

This was a book club book and we had a great discussion on it.

In this story a Chinese boy named Henry falls in love with a Japanese girl. 

Favorite quotes:
All Henry could do was sigh and nod. He knew that the concept all too well. Painfully well. Obedience as a sign of loyalty as an expression of honor, even as an act of love, was a well-worn theme in his household. Especially between him and his father. but that wasn't the case now, was it? Did I cause my father's stroke? Was it brought on by my disobedience? As much as Henry reasoned otherwise, he ahd a hard time convincing himself the answer was no. His guilt remained.

p. 233 "How long will you wait ofr me, Henry?"
"As long as it takes, I don't care what my father says."
"What if I'm an old woman?" Keiko said, laughing. "What if I'm in here until I'm old and my ahir is gray - "
"Then I'll bring you a cane."
"You'd wait for me?"
Henry smiled, nodded, and took Keiko's hand. He didn't even look, their two hands just seemed to fall together. They spend the better part of the day beneath that cloudy sky. Henry looked up expecting rain, but the wind, which kept them a little chilly, blew the clouds south of the camp.  There would be no more rain.

...spoiler alert....he did! 

Goodreads says:

In 1986, Henry Lee joins a crowd outside the Panama Hotel, once the gateway to Seattle's Japantown. It has been boarded up for decades, but now the new owner has discovered the belongings of Japanese families who were sent to internment camps during World War II. As the owner displays and unfurls a Japanese parasol, Henry, a Chinese American, remembers a young Japanese American girl from his childhood in the 1940s—Keiko Okabe, with whom he forged a bond of friendship and innocent love that transcended the prejudices of their Old World ancestors. After Keiko and her family were evacuated to the internment camps, she and Henry could only hope that their promise to each other would be kept. Now, forty years later, Henry explores the hotel's basement for the Okabe family's belongings and for a long-lost object whose value he cannot even begin to measure. His search will take him on a journey to revisit the sacrifices he has made for family, for love, for country.

It Began With a Page (Kyo Maclear)

We learned about segregation when we read the story of Jackie Robinson. My students were stunned to learn about Japanese internment camps from this story.  She also wanted to write and illustrate books that had babies with all colors of skin. This was not popular in her time, but eventually, people started to see it her way.

It teaches a great lesson: even if everyone seems to accept something as just the way it is, one person can make a difference by standing up for what they know to be right.

We were stumped by the genre of this book. It is a true story but it was in the fiction section. I even asked the librarian at the public library and she was stumped too. We went an email to the author to ask her if she knows why. The information on the inside cover from the Library of Congress doesn't seem to say to me that it should be fiction or non-fiction.

Goodreads says:

Gyo Fujikawa's iconic children's books are beloved all over the world. Now it's time for Gyo's story to be told -- a story of artistic talent that refused to be constrained by rules or expectations.

Growing up quiet and lonely at the beginning of the twentieth century, Gyo learned from her relatives the ways in which both women and Japanese people lacked opportunity. Her teachers and family believed in her and sent her to art school and later Japan, where her talent flourished. But while Gyo's career grew and led her to work for Walt Disney Studios, World War II began, and with it, her family's internment. But Gyo never stopped fighting -- for herself, her vision, her family and her readers -- and later wrote and illustrated the first children's book to feature children of different races interacting together.

This luminous new book beautifully and openly touches on Gyo's difficult experiences and growth. Through Julie Morstad's exquisite illustrations, alternating between striking black-and-white linework and lush colour, and Kyo Maclear's artful and accessible writing, the story of this cherished figure is told at last.